Original MG12XU professional mixer MIXER can be used as a recording interface USB supports 48V

描述

– – D-PRE mic preamps deliver clean, transparent, and natural sound
– – 3-band EQ on all mono channels for sound-shaping
– – 1-knob compressors provide straightforward dynamics control
– – Class-compliant USB 2.0 for recording and playback with computers and tablets
– – SPX effect processors provide you with a comprehensive suite of 24 effects
– – Pad switch on mono inputs for managing loud sources
– – Metal chassis for durability

Fully Loaded Mixer for the Studio and Stage!
The Yamaha MG12XU analog mixer is well-suited for portable rigs or permanent installations, with its rich features and outstanding sound quality. The MG12XU’s quality op-amp ensures that your mix sounds transparent and articulate. The MG12XU’s crystal clear D-PRE preamps will squeeze every drop of tone from your mics, with natural-sounding bass and smooth highs. Featuring onboard digital effects, switchable phantom power, a pad switch, one-knob compressors, EQ, plenty of I/O, and LED metering, the MG12XU can take on just about any task you throw at it. Utilizing many state-of-the-art features from Yamaha’s high-end consoles, the MG12XU is ready to work for you!

Yamaha MG12XU Analog Mixer at a Glance:

D-PRE discrete Class-A mic preamps deliver clean and natural sound
One-knob compressors provide easy-to-use dynamics control
EQ and highpass filters allow for effective sound-shaping
Built-in SPX digital effects add polish and professionalism
High quality op-amp ensures transparent sound reproduction
D-PRE discrete Class-A mic preamps deliver clean and natural sound

Nobody wants to hear mics that are plugged into thin, distorted, or underpowered preamps. MG Series mixing consoles employ Yamaha’s transparent D-PRE preamps, which provide more power with lower impedance, delivering natural-sounding bass and smooth highs. D-PREs simply sound good – without hyping any specific elements of your mix. The D-PRE’s pure sound will ensure that you won’t need to spend hours EQ-ing just to get a barely-acceptable sound, like you would with low-quality mic preamps.